The project is presented as an exercise of expanded poetry and takes as a reference the North American Collective “Billboard Liberation Front.” The project is composed of a series of interventions in public space. These actions are realized by hacking abandoned billboards or using public infrastructure as an alternative media surface. The messages try to stay away from the dominant visual codes in the streets, such as advertisement, political propaganda, or graffiti. By using this dislocated aesthetics, the messages seek to generate confusion and uncertainty in the pedestrian and ultimately invite them to mistrust the images.